
—TASTE of MADNESS—
THE MAUNTON CAKE INCIDENT OF 1887
from… THE MAUNTON GAZETTE
Sunday, April 3, 1887
Price: 2 cents
APRIL 1st GARDEN HALL SOIRÉE
LEAVES TOWN IN BEWILDERMENT
By Edwin Belcher, Gazette Senior Correspondent
Having attended countless gatherings across our fair Maunton and beyond, I find myself in the unusual position of questioning my own faculties following Friday night’s illustrious gathering at the Garden Hall. The annual Spring Celebration hosted by the Maunton Cultural Society has always been an affair of note, yet this year's event has left this reporter—and indeed the entire attendance—in a curious state of befuddlement and elation.
The evening commenced at seven o'clock sharp with the arrival of the esteemed Ripley Way Orchestra, who had journeyed from beyond the Blue Ridge Mountains for the occasion. Their reputation as the finest musicians that wealthy farming community has produced was well-earned, as evidenced by their stirring rendition of Strauss's "Blue Danube" which accompanied the guests' entrance into the hall.
The Garden Hall itself was a vision of splendor. The marble columns entwined with fresh ivy specially cultivated for the occasion, while exotic blooms from as far as South America adorned every available surface—courtesy of Mr. Lawrence Pemberton's recent botanical expedition. Gas lamps nestled amongst the foliage cast an ethereal glow across the proceedings, while the unseasonably warm April air permitted the opening of the eastern wall's folding panels to the terrace.
Yet it is not the decor nor the music that has set tongues wagging across Maunton these past two days. Rather, it is the confection served at precisely nine thirty-seven in the evening—a cake created by the Kitcheners' Confectionary which has become the subject of most peculiar discourse.
"I have served at over five hundred functions in my twenty-two years at Garden Hall," reports Mr. Thomas Winters, head footman, "but never have I witnessed such a reaction to a dessert. The moment it was unveiled, a hush fell over the room that lasted nearly thirty seconds before conversation resumed with unusual vigor."
Mrs. Eleanor Harrington, wife of the prominent banker, described the experience as "transcendent," though when pressed for details regarding the cake's appearance or flavor, she appeared momentarily confused. "It was... well, it was the most extraordinary thing. I believe it had a certain... I'm sorry, I find I cannot quite recall the particulars, only that it was absolutely divine."
This inability to recollect specific attributes of the cake is curiously widespread. Judge William Montgomery insisted it was "a light, airy creation shaped like the Tower of Babel, with notes of citrus," while standing directly beside Mrs. Montgomery who simultaneously described it as "a rich, dense confection with deep cocoa undertones." Neither seemed aware of the contradiction.
Miss Amelia Thornton, whose family owns the largest textile mill in the county, could only state that upon tasting it, she felt an overwhelming sense of connection to everyone in the room: “It was as though we all shared a perfect moment of understanding."
I myself partook of this mysterious cake and find that while I can describe in exacting detail the precise cut of Mayor Johnson's waistcoat or the exact sequence of musical pieces performed by the Ripley Way Orchestra, the cake itself remains frustratingly indistinct in my recollection. I know only that I devoured it with a simple fork on a plain white plate. In my own opinion, devoid of other logic, I agree that the cake prompted in me a sense of well-being that lingered well into the following day.
When approached for comment, the Kitchener family appeared equally perplexed. "We worked on it all morning," stated Willem Kitchener, patriarch of the family bakery, "yet I find the details have quite escaped me. Most unusual."
Mr. Mason Hayes, the Garden Hall's event coordinator who commissioned the cake, claims to have provided only general instructions to the bakery. "I requested something special for the evening, something memorable. I would say they exceeded my expectations, though in a manner I could not have anticipated. If this is all a stunt, it was the hypnotic performance of a lifetime. I will be ordering the Kitcheners’ services for next year’s springtime soirée."
Shortly after speaking with Mr. Hayes at his office, I was informed by an assistant that the Cultural Society is ecstatic for next year’s event with ticket applications already flooding in at unprecedented rates.
Dr. James Harrison, our town physician, suggests the collective haziness might be attributed to "the excitement of the evening, combined with the warmth and perhaps the champagne served alongside the dessert."
No matter the strange case, this correspondent, shall ensure his attendance.
from… THE MAUNTON GAZETTE
Wednesday, April 4, 1888
Price: 3 cents
GARDEN HALL CELEBRATION FAILS TO
RECAPTURE LAST YEAR'S MAGIC
By Edwin Belcher, Gazette Senior Correspondent
The marble halls of Maunton's Garden Hall have never seemed so austere as they did on Monday evening, despite being adorned with even more lavish decorations than last year's celebrated Spring Celebration. What should have been a triumphant anniversary of the most talked-about social event in recent memory instead left attendees in a state of peculiar melancholy that lingered well into yesterday.
The evening began promisingly enough. Fine folk from the talented Ripley Way Orchestra returned with an expanded arrangement, performing selections from Tchaikovsky that echoed beautifully through the ivy-draped columns. The guest list was more exclusive this year, with tickets having sold out within three days of announcement—a testament to the reputation established by last year's gathering.
"We spared no expense," confirmed Mr. Mason Hayes, the Garden Hall's veteran event coordinator. "The flowers were imported from three continents, the champagne was the finest French vintage of '78, and we commissioned the Kitcheners once again for what was to be the centerpiece of the evening."
Indeed, at precisely nine-thirty in the evening, as mosquitoes buzzed before bed, the Kitchener family's creation was unveiled to great anticipation. The dessert, a three-tiered poundcake masterpiece with delicate sugar-work depicting Maunton's historical landmarks, was undeniably impressive. The downtown Lutheran Church steeple sat proudly in the center, with sugar-spun clouds glued with icing to the steeple’s licorice siding. A bed of dyed coconut shavings created Maunton’s strips of farmland, interspersed with chocolate trenches for dirt. A closer inspection revealed tiny impressions of sprouting flowers, smathered in painterly purples and gold but dull and unnoticeable in the chocolate dirt.
"It was a vanilla sponge with buttercream frosting and raspberry compote between the layers," described Mrs. Elizabeth Whitmore with unexpected clarity. "The decorative elements featured crystallized violets and gold leaf. It was, objectively speaking, delicious. And the mock edible town was a cute idea."
Her husband, Councilman George Whitmore, nodded in agreement. "Adequately superb. I particularly remember the subtle notes of almond extract in the frosting. The Kitcheners are certainly skilled at their craft. I don’t how I feel about the name, though. The Town Cake. As a play on poundcake, I suppose."
This precise recollection of the cake's attributes stood in stark contrast to last year's curious collective amnesia regarding the details of the 1889 confection. More striking, however, was the absence of the profound euphoria that had characterized the previous celebration.
"It was perfectly adequate," sighed Miss Amelia Thornton, who last year had described feeling "an overwhelming sense of connection" with her fellow guests. "The cake was sweet, the music was pleasant, and my company was acceptable. Yet I found myself repeatedly checking my timepiece, wondering when I might politely take my leave."
Judge Montgomery, normally the life of any gathering, was observed sitting alone on the terrace, gazing toward the Blue Ridge Mountains with a distant expression. When I approached him as the night’s guests moved on to other things, he offered only: "Do you remember how we felt last year? That sense that everything in the world was precisely as it should be? I've thought of little else these twelve months, and now..." He left the thought unfinished, returning to his contemplation of the distant peaks. I left him to his thoughts.
The Kitchener family, when interviewed yesterday at their bakery on Maple Street, appeared perplexed by the reception.
"We followed a more elaborate recipe this year," insisted Willem Kitchener. "Technically speaking, this town cake required greater skill and finer ingredients than what we prepared last April. We cannot account for the difference in reception. I’m baffled, to be honest."
His youngest son, now fourteen and more meticulous in his record-keeping, produced detailed notes on both cakes. This year's creation cost nearly twice as much to produce at $16.42, utilizing imported vanilla and other premium ingredients.
Dr. Harrison suggests that perhaps the expectations had been set impossibly high. "The human mind has a tendency to gild memories, particularly those associated with pleasure. No real experience could compete with the idealized recollection of last year's event."
This explanation, however logical, did little to console Mrs. Eleanor Harrington, who was observed weeping softly into her handkerchief as her carriage departed.
"I remember the feeling of last year so vividly," she told me at her home two days after the summer event. "For days afterward, the world seemed brighter somehow. Colors more vivid. Music more moving. Even my husband's conversations were more engaging." Here she paused, dabbing at her eyes. "Now I fear that feeling may never return. How does one reconcile oneself to ordinary pleasures after experiencing something so... transcendent?"
The question hung unanswered in the unusually cool April air.
Several attendees gathered yesterday afternoon at Pemberton's Bar (no relation to Lawrence Pemberton), ostensibly to discuss the Municipal Garden Project but as I sat in attendance, it became clear that the meeting’s true purpose was to reminisce about the 1887 celebration.
"Do you remember how the moonlight seemed to dance on the fountain?" asked Mrs. Catherine Lowsley. "And how even Mr. Finchley, who never dances, took to the floor with such enthusiasm?"
"And the way the orchestra's music seemed to speak directly to one's soul," added Mr. Pemberton himself, staring into his untouched ale.
None mentioned the cake specifically—indeed, they still appeared unable to describe it—yet all agreed that something extraordinary had occurred that evening which Monday's gathering, for all its technical perfection, had failed to replicate.
The Maunton Cultural Society has not yet announced whether they will attempt another Spring Celebration next year. Mr. Hayes was noncommittal when questioned, stating only that "some reconsiderations of format may be necessary."
Whatever decision is reached, it seems clear that the mysterious magic of April 1st, 1889, remains as elusive as the memory of the cake that somehow embodied it.

The infamous 'DELICIOUS!' card left on the supposed platter of the mystery cake

Patrons of the Garden Hall's summer Patriots' Ball enjoy the side room --taken in 1871

The rear courtyard sits vacant during the fall season of 1885...

A sunset dinner party in progress at the Main Hall --taken in 1882

THE SACRED hollow is in danger…
A curse has fallen upon the stronghold of Mendac witches in colonial North America.
The leaders conduct a time-sensitive mission to stop the curse from spreading into a corruptive force that holds no mercy for magical being and mortal alike…
Click the NERVOUS WITCH gif to read more!

from… the JOURNALS of EDWIN BELCHER
MAY 12-15, 1890
I dreamt of it again last night—the cake, I mean. In my dream, it was simultaneously white as fresh snow and dark as midnight oil, impossibly both, and it sang to me with the voice of my long-dead mother. I awoke weeping, my pillowcase soaked through with all the fluids I have. This is the third such dream this week. The Gazette forced me out after my questions made them shift in their seats out of fear. No one wants to find out the truth of the cake.
Why? WHY?!
_________________________
The polished brass bell above the door of Kitcheners' Confectionary on Maple Street will ring for the final time this Saturday, marking the end of nearly three decades of business in our fair city. Following two consecutive years of what many have delicately termed "diminishing returns" after the Garden Hall Spring Celebrations of 1888 and 1889, patriarch Willem Kitchener has announced the family's intention to relocate their business to Washington, D.C.
I watched him yesterday afternoon as he supervised the crating of imported baking molds, his hands trembling slightly—though whether from age or agitation, I cannot say. There was something in his eyes I recognized all too well: the haunted look that has become increasingly common in certain circles of Maunton society.
"There is nothing left for us here," he stated, his gaze darting periodically to the back room where, I am told, dozens of experimental recipes have accumulated over the past two years. "Twenty-seven years of service to this community, and for what?"
When questioned about the sharp decline in patronage, his expression twisted into something between rage and fear. "These Virginians," he muttered, following with "stomme dorpelingen" under his breath, and then, more curiously: "They blame us, as if we could ever recreate... as if we even know what we..." He trailed off, staring at his flour-dusted hands as though they belonged to someone else.
"I will not lower my prices," Willem continued after a long pause, his voice regaining some strength. "My work is art, not mere sustenance. In the capital, perhaps, there are patriots who understand the difference. Those who will not be driven to..." He glanced anxiously toward the street, where Judge Montgomery has been observed standing motionless for hours at a time, staring through the confectionary windows.
The decline of the Kitcheners' establishment presents a curious study in collective obsession, though I didn’t dare alert them about my own invasive thoughts. Their business began to falter precisely after their commission for the 1889 Garden Hall celebration—the very creation that has become both blessing and curse to our community.
"I taste it still," confessed Mrs. Eleanor Harrington during our interview at her home, where the curtains have remained drawn since February. Her normally immaculate parlor was in disarray, with half-eaten pastries from various establishments stacked and scattered on the leather chairs and stools.
"Every morning upon waking, for just a moment, the flavor is there on my tongue, perfect and complete. Then it fades, and I—" She broke off, seizing my wrist with alarming strength. "You remember it too, don't you, Edwin? Tell me I'm not alone in this torment."
I assured her she was not.
Judge Montgomery, once the very model of judicial temperament, was found last week attempting to gain entry to the Garden Hall at three o'clock in the morning, insisting that "the celebration is tonight, I can hear the music already." When I spoke with him yesterday in his chambers, where case files lay untouched beneath a layer of dust, he leaned close to whisper: "I've remembered something new. There were flowers in it—or perhaps of it. The petals opened and closed like they were breathing. You saw it too, didn't you?"
I did not correct him, though I distinctly recall—or believe I recall—that the cake shimmered with a light that cast no shadows.
Miss Amelia Thornton, whose engagement to the son of a prominent Richmond family was recently and unexpectedly broken, offered perhaps the most disturbing testimony. "I cannot marry," she declared, her fingers compulsively sketching mismatched patterns on paper—abstract swirls that she insists are accurate renderings of the cake's decorative elements. I can’t discern anything more than renditions of flower bulbs. "How could any mortal union compare to what we all experienced that night? I have been touched by something utterly divine, Mr. Belcher. Everything else is ash and dust."
Her former fiancé, when contacted, would say only that she had become "unhealthily fixated on a dessert, of all things," and that he feared for her reason.
Mr. Mason Hayes, whose decision to commission the Kitcheners for three consecutive Spring Celebrations ultimately proved controversial, was found last month meticulously recreating the exact arrangement of the Garden Hall as it had been on that fateful evening in 1889. When asked why, he responded with words that have haunted me since: "If we can reassemble all the pieces exactly as they were—the music, the flowers, the guests—perhaps it will come back. Not just the cake, but the feeling. The perfect moment when everything made sense."
I confess I have attempted similar reconstructions in the privacy of my study, using dolls borrowed from my niece and dismantled bookshelves to complete the furniture arrangement. My wife does not understand. How could she? She was in Richmond that weekend. And at the end of it all, I am alone.
Dr. Harrison has taken to referring to our collective condition as The Maunton Affliction. During his recent lecture series, he has formed a hypothesis that we are “in the midst of a mass shared delusion, centered around a powerful sensory experience that has been elevated to mythological status." Six attendees walked out in protest. Two others wept openly.
The peculiar incident last month when Mr. Lawrence Pemberton reportedly offered the Kitchener family one hundred dollars for the original recipe ended not with Willem's bitter laughter, as was publicly reported, but with Pemberton falling to his knees and reciting what he claimed was "the prayer the cake whispered to me." He has since taken leave of the city to recover at his sister's home in Pennsylvania.
Young Thomas Kitchener, now sixteen, spoke to me with the weary wisdom of someone much older. "Pa destroyed the original notes," he confided as we stood among the packing crates. "He says it was an accident, but I saw him burning papers in the night. He was crying, Mr. Belcher. I've never seen him cry before."
The boy leaned closer. "Sometimes I think we created something we shouldn't have. Something that wasn't meant to be tasted."
Willem overheard this last comment and struck his son sharply across the face—the only time I ever witnessed such behavior from the normally composed baker. "Say nothing more," he hissed, his face sullen with black bags under the eyes. "There are consequences to speaking of such things."
The family will depart for Washington at month's end, having secured premises near Dupont Circle. Their property on Maple Street has been purchased by Mr. Finchley, though there are whispers that he plans not to expand his haberdashery but to convert the space into a shrine of sorts.
As for the Garden Hall Spring Celebration, the Cultural Society has announced its indefinite postponement. "Perhaps some traditions are best laid to rest. Recent events have made it clear that a period of reflection is necessary." stated Mrs. Lowsley, her hand trembling as she adjusted her hat for the fifth time during our brief interview.
Yet I observed no fewer than twelve of our citizens gathered on the Garden Hall steps at dusk yesterday, quietly conversing with their faces upturned toward the marble pillars, silent and expectant, as though awaiting a revelation.
I fear all hope is lost. Last night I dreamt I was the cake, being devoured by wide-eyed revelers at the Garden Hall. It was April again. The Hall was packed with fresh flowers and well-groomed ladies and gentlemen. And they ate without silverware, using their cold hands like plows. I felt myself diminishing with each chunk ripped away, yet somehow growing more powerful as I was consumed. I awoke with the taste of my own blood in my mouth, having bitten my tongue in my sleep. The taste was familiar in a way I dare not contemplate further.
Perhaps I never left that night. Maybe I’m still there, waiting to wake up…
— E. B.